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Animating brushes is another common technique in WPF animations, and it s just as easy as animating transforms. Once again, the technique is to dig into the particular subproperty you want to change, using the appropriate animation type. Figure 16-4 shows an example that tweaks a RadialGradientBrush. As the animation runs, the center point of the radial gradient drifts along the ellipse, giving it a three-dimensional effect. At the same time, the outer color of the gradient changes from blue to black.

To perform this animation, you need to use two animation types that you haven t considered yet. ColorAnimation blends gradually between two colors, creating a subtle color-shift effect. PointAnimation allows you to move a point from one location to another. (It s essentially the same as if you modified both the X coordinate and the Y coordinate using a separate DoubleAnimation, with linear interpolation.) You can use a PointAnimation to deform a figure that you ve constructed out of points or to change the location of the radial gradient s center point, as in this example. Here s the markup that defines the ellipse and its brush: <Ellipse Name="ellipse" Margin="5" Grid.Row="1" Stretch="Uniform"> <Ellipse.Fill> <RadialGradientBrush RadiusX="1" RadiusY="1" GradientOrigin="0.7,0.3"> <GradientStop Color="White" Offset="0"></GradientStop> <GradientStop Color="Blue" Offset="1"></GradientStop> </RadialGradientBrush> </Ellipse.Fill> </Ellipse> and here are the two animations that move the center point and change the second color: <PointAnimation Storyboard.TargetName="ellipse" Storyboard.TargetProperty="Fill.GradientOrigin" From="0.7,0.3" To="0.3,0.7" Duration="0:0:10" AutoReverse="True" RepeatBehavior="Forever"> </PointAnimation> <ColorAnimation Storyboard.TargetName="ellipse" Storyboard.TargetProperty="Fill.GradientStops[1].Color" To="Black" Duration="0:0:10" AutoReverse="True" RepeatBehavior="Forever"> </ColorAnimation>

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{ get { return _templateName; } set { _templateName = value; } } public string EmailDeliveryAddressForCard { get { return _emailDeliveryAddressForCard; } set { _emailDeliveryAddressForCard = value; } } public Dictionary<string, string> ClaimValues { get { return _claimValues; } set { _claimValues = value; } } public ManagedCardCreationRequest() { _claimValues = new Dictionary<string, string>(); } } } 6. Right-click the project, and select Add New Item. 7. Select Sequential Workflow, and name it CardIssuanceByEmailWorkflow. 8. As mentioned earlier, one ManagedCardCreationRequest will be created and passed into the workflow for every card that should be created. You ll next add a list of ManagedCardCreationRequest objects to the class and add code to initialize it in the constructor. So, view the code for the workflow, and modify it to resemble the following code: private List<ManagedCardCreationRequest> _managedCardCreationRequests; public List<ManagedCardCreationRequest> ManagedCardCreationRequests { get { return _managedCardCreationRequests; } set { _managedCardCreationRequests = value; } } public CardIssuanceByEmailWorkflow() { InitializeComponent();

You can create a huge range of hypnotic effects by varying the colors and offsets in LinearGradientBrush and RadialGradientBrush. And if that s not enough, gradient brushes also have their own RelativeTransform property that you can use to rotate, scale, stretch, and skew them. The WPF team has a fun tool called Gradient Obsession for building gradient-based animations. You can find it (and the source code) at http://tinyurl.com/yc5fjpm. For some additional ideas, check out the animation examples Charles Petzold provides at http://tinyurl.com/y92mf8a, which change the geometry of different DrawingBrush objects, creating tiled patterns that morph into different shapes.

As you learned in 12, a VisualBrush allows you to take the appearance of any element and use it to fill another surface. That other surface can be anything from an ordinary rectangle to letters of text. Figure 16-5 shows a basic example. On top sits a real, live button. Underneath, a VisualBrush is used to fill a rectangle with a picture of the button that stretches and rotates under the effect of various transforms.

The VisualBrush also opens up some interesting possibilities for animation. For example, instead of animating the live, real element, you can animate a simple rectangle that has the same fill. To understand how this works, consider the example shown earlier in Figure 16-3, which pops an element into view. While this animation is underway, the animated element is treated the same as any other WPF element, which means it s possible to click the button inside or scroll through the content with the keyboard (if you re fast enough). In some situations, this could cause confusion. In other situations, it might result in worse performance because of the extra overhead required to transform input (like mouse clicks) and pass it along to the original element.

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