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You can embed a style sheet in an MXML application or component with the <fx:Style> compiler tag set. As previously described, a style sheet embedded in a custom component can include only style name selectors. Style sheets embedded in the Application can contain a mixture of type, style name, and global selectors.

<script LANGUAGE= Javascript > <!-- // function intro() { if ((navigator.appVersion.indexOf( Mac )!=-1) && (navigator.userAgent.indexOf( MSIE )!=-1) && (parseInt(navigator.appVersion)==4)) { skip() } else { popup() } } function skip() { location.href= nonfullscreen.html ; } function popup() { version = parseFloat(navigator.appVersion.substring (navigator.appVersion.indexOf( . )-1,navigator. appVersion.length)); if (version >= 4) version = parseFloat(navigator.appVersion.substring (navigator.appVersion.indexOf( . )-1,navigator. appVersion.length)); if (version >= 4) { if (navigator.appName== Netscape ) { location.href= nonfullscreen.html ; } if (navigator.appName== Microsoft Internet Explorer ) { window.open( yesfullscreen.html , screen , fullscreen=yes ); } } else

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options for the export format. For example, if you choose the Movie to QuickTime Movie export format, you can choose options like this: Click the Options button to display the Movie Settings dialog box. To change the video settings, click the Settings button in the Video box, and then choose compression, motion, data rate, and encoding settings in the Video Compression Settings dialog box. To apply a special effect such as Lens Flare, click the Filtering button, and then choose settings in the Filtering dialog box. To change the resolution of the video, click the Video Size button, and then choose settings in the Export Size Settings dialog box. To use a different sound format or quality, click the Settings button in the Sound box, and then choose settings in the Sound Settings dialog box. If you want to be able to stream the movie across the Internet, select the Prepare for Internet Streaming check box, and then choose Fast Start, Fast Start Compressed Header, or Hinted Streaming. Fast Start is usually the best choice for general use. Hinted Streaming is for use with QuickTime Streaming Server. Click OK to close the Movie Settings dialog box and return to the Save exported file as dialog box.

Ironically, however, producing a high quality achromatic hologram that displays as a nice white tone with minimal color shift is just as demanding (if not more) as producing a good color image We will not be discussing achromatic holograms as a separate topic for the remainder of this chapter Fortunately for us, creating a composite hologram containing the information from three H l s is straightforward, if somewhat involved and subject to several caveats A holographic emulsion is capable of storing fringe patterns from several different exposures, and playing the composite image back when illuminated Instead of recording three different H2 holograms, each with its own H1, we will record multiple H l s onto a single H2 This H2 will be our composite hologram..

1 Find the MAP decoding of the sequence 1.2, 0.3, 0.8, -1.1, 0.7, -1.2, -1.0, 1.1, 0.9, 1.1 for the example RSC code of Section 10.5. 2 Find the SOVA decoding of the sequence +3.5, +2.5, +0.5, -2.5, -0.5, -2.5, -3.5, +3.5, -1.5, +3.5, +2.5, -0.5 for the example RSC code of Section 10.5. 3 A rate 1/3 turbo code has lowest weight nonzero code sequences of weight 24. It is applied to a QPSK modulation. Estimate the BER at which the error floor will become apparent. 4 Considering a block interleaved turbo code as in Section 10.11, find the weight of the sequence produced by data 111 input to the example RSC encoder of Section 10.5. Hence find the weight of the code sequences resulting from a weight 9 data pattern with 111 on each of three rows and three columns. Hence deduce whether input or output weight at a single RSC encoder is more important in identifying low-weight turbo code sequences. 5 Find the lowest weight sequences in a turbo code using regular block interleaving and component (1, 7/5) RSC codes. Comment on the comparison with the (1, 5/7) RSC code and on the desirable characteristics of the feedback polynomial.

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Remember that the center in question is not the center of the canvas, but the center of the selection.

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